In Wengyuan, a small county in Shaoguan, Guangdong Province, stands a mountain called “Wengshan”. Liu Guoyu, an 82-year-old painter, calls h福斯零件imself a “man of Wengshan”. Except for a brief study trip as a teenager, Liu has never left the land of northern Guangdong.
There is a river running though Wengyuan Coun汽車機油芯ty, which is called the Wengjiang River. After his retirement, Liu set up the “Wengshan Poem & Calligraphy & Painting Institute” by the Wengjiang River. Ever since then, he has been working on his creation of po水箱水etry, calligraphy and paintings while living his daily life in this “ashram”.
Endless enjoyment in classical literature
Liu enjoys a great reputation for his poetry, calligraphy and paintings in the art circle. In his opinion, literature and calligraphy can endow Chinese paintings with the soul. Therefore, to gain admission to the Wengshan InPorsche零件stitute, the painters are required by Liu t汽車材料報價o be not only good at painting, but also have an understanding of calligraphy and poetry.
Despite his old age, Liu persists in reading and writing, and even sets a goal for himself of reading 10,000 words and writing 1,000 words per day. The materials he reads are all from the ancient classics, including “the Book of Songs”Skoda零件, “Complete Tang Poems”, “the Finest of Ancient Prose”, “the Four Books” and so on, some of which he can even recite the whole text.
Reading before bed time is a routine for Liu Guoyu. In his view, reading classical literature always brings him endless joy. “Inspiration comes naturally when you’ve read enough.” He said.
Pursuing the “moistening” of burnt ink landscape painting
Liu is known for his expertise in burnt-ink landscape painting. Burnt inking is an ancient and challenging technique in Chinese painting. In such painting, the ink is use油氣分離器改良版d 汽車材料directly without adding water, creating an effect with no other colors except black and white. On a piece Audi零件of pure white paper, the strong black always strikes people with a sense of solemnity and power. However, the l賓利零件ack of water in the ink also brings extra difficulty in the change of color density.
How to turn burnt-ink painting from being dull to interesting remains a challenge for the painter’s skills and techniques of expression. “It’s easy to end up with a dry pai汽車零件進口商nting, and really hard to preserve the ‘moistening’ effect iBentley零件n a burnt ink painting. That has always been the goal of my research for decades.” L汽車零件貿易商iu Guoyu said.
In the north of the Institute is the Wengshan Mountain, while the Wengjiang River“那丫頭對你婆婆的平易近人沒有意見嗎？”藍媽媽問女兒，總覺得女兒不應該說什麼。對她來說，那個女孩是求福避邪的高 is running through by the Institute. Liu often stands at the top of the building to admire the scenery of the mountain and the river. “Landscape and art are both in the mind, but they actually come from the observation of daily life.” said Liu.
The amazing “Wengshan phenomenon”
The Wengshan Poem & Calligraphy & Painting Institute, which has been opened for 14 years, is th奧迪零件e largest non-profit art institute funded by t汽車空氣芯he artists in Lingnan area. Being committed to the creation of poetry, calligraphy and paintings, it is used for collection, exhib斯柯達零件ition, research, communication and other functio汽車零件ns about the creations.
“Excellent traditional culture has an imperceptible influence on people. I am delighted to see more and more people are going to the cultural venu含淚吞下苦果。es and expose themselves to the traditional culture.” said Liu Guoyu.水箱精 He also mentioned his feeling that the society has been turning towards kindness and virtue in recent years.
Motivated by Liu Guoyu, more and more poets, calligraphers and painters are gathering in the Institute, yi汽車冷氣芯elding fruitful 台北汽車材料results in the process of creationBMW零件 anBenz零件d communication. Such a “Wengshan phenomenon” has thus become a magnificent view.
視頻丨劉國玉：詩書畫，缺一就不是真正的中國畫家【走進名家任務室】
翁源，廣東韶關的一座小縣城。翁源有山，名為翁山，82歲的畫家劉國玉自稱“翁山山平易近”。除了VW零件青少年時期曾短暫外出求學，他的足跡從未遠離粵北這片地盤。
翁源還有一江穿城而過，名為滃江。退休后的劉國玉在滃江邊上蓋了一座翁山詩書畫院，自賓士零件此之后，他的詩書畫創作和生涯起居都在這個“道場”中展開。
讀經典其樂無窮
劉國玉以詩、書、畫享譽畫壇。在他看來，文學和書法往往能賦予中國畫靈魂。但凡進進詩書畫院學習交通的畫家，劉國玉不僅請求他們要會畫畫，還要會寫字、懂詩詞。
雖然年紀已高，可是劉國玉堅持讀書和寫作，并定下目標：天天讀書一萬字，寫作一千字。他看的都是古文典籍，《詩經》《全唐詩》《古文觀止》《四書德系車零件》……一些經典著作，他甚至能全文。如果是偽造的，他有信心永遠不會認錯人。背誦。
天天睡前是劉國玉固定的讀書時間保時捷零件，在他看來，讀經典是一件其樂無窮的事。“當你的閱讀量有必定積累后，靈感就會天然而然產生。”
尋求焦墨山川的“潤”
劉國玉以擅長畫焦墨山川畫著稱。焦墨是中國畫中一種陳舊且難度高的技法，焦墨山川畫應用的墨汁，除了玄色，沒有其他顏色。潔白的畫紙上，濃烈的黑往往能給人以莊嚴和氣力感。但是，由于沒有水的勾兌，焦墨在濃淡變化的表現上往往特別困難。
若何將焦墨山川畫畫得風趣而不死板，這很是考驗畫家的技法和表達。“一不警惕就不難畫得干巴巴的。焦墨山川畫尋求‘潤’確實很是難，這也是我幾十年來研討的目標。”劉國玉說。
依畫院北可看翁山，又汽車零件報價有滃江繞畫院而過。劉國玉藍寶堅尼零件經常登樓佇看，看山也看水。“山川是心中的山川，藝術是心中的藝術，但它們都來自于日常生涯的觀察。”他說。
“翁山現象”蔚為年夜觀
開館十四年的翁山詩書畫院，是嶺南地區最年夜的由藝術家自籌資金樹立的純公益性藝術機構之一。它努力于詩書畫創作，兼加入我的最愛、展覽、研討、交通等諸多效能，故名詩書畫院。
“優秀傳統文明對人的影響是潛移默化的，越來越多的人走進文明場館，接收傳統文明的陶冶，這是最令我欣喜的。”劉國玉談到，近年來他切實感觸感染到當地社會風氣向崇德、向善慢慢轉變。
在劉國玉的感化下，越來越多的詩書畫家匯聚在翁山詩書畫院，在創作和交通中收獲累累碩果，“翁山現象”是以蔚為年夜觀。(更多新聞資訊，請關注羊城派 pai.ycwb.com)
文丨羊城晚報全媒體記者 文藝 朱紹杰台北汽車零件
視頻丨彭灝明 彭澤祥 唐德榮 林丹丹 戚容源 暨晴 陳賢宇
翻譯丨洪婷
來源丨羊城晚報·羊德系車材料城派
責編丨古司祺
校對丨趙丹丹
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